![]() To print, the artist uses a baren, a flat, hand-held disk that is wrapped in a bamboo sheeth, to press the pigment into the paper. A sheet of sized and dampened paper is then placed on the block proper alignment is insured by two registration marks that are carved into each block at the same place. Pigment dispersed in a water and rice paste are placed on the block and smoothed across the surface with a brush that looks similar to a shoe brush. Areas that are not to be printed are cut away, leaving a raised surface, as in the principle of a stamp. Initially, the artist carves a block of wood for each color to be printed. To move from the inspiration of the sketch to the mechanics of the print requires thoughtful organization of color and space. The process, however, is labor intensive for the artist, who must undertake the roles of designer, carver, and printer. Wood, water, paper, pigment, paste, and simple carving and rubbing implements are all that is needed to make a print. ![]() Each year I add to my library of woodblocks and print them in combination with older blocks to build complex autobiographical patterns.Īpril Vollmer Japanese Wood Block video by Dempsey Rice.Japanese woodblock printmaking, moku (wood) hanga (print), is distinguished from other printmaking techniques by the simplicity of material involved in its creation. Ideas for new work come from travel to Serbia, Japan, Italy, India and elsewhere. I also incorporate architectural plans, mosaics, ceramic objects and other items from my study of art history. T-shirts, posters, stickers, home decor, and more, designed and sold by independent artists around. I often repeat images of flowers, insects and other elements of nature to create radial patterns. High quality Mokuhanga-inspired gifts and merchandise. I photograph objects and scenes of personal significance and use the processes of printmaking to transform these images into something more abstract. ![]() While I am devoted to the hand techniques of traditional printmaking, I rely on the computer to initiate most of my projects. ![]() She was on the boards of the first and second International Mokuhanga Conferences in Japan 20 and currently holds the title of Communications Attaché for the organization.Īn artist and printmaker working primarily in Japanese woodblock, I often combine woodcut with other media. In 2004 she participated in the Nagasawa Art Park Program in Awaji, Japan, and in 2014 was the first writer in residence at the Mokuhanga Innovation Laboratory in Kawaguchi, Japan. ![]() Her prints have been exhibited at AIR Gallery, the Islip Art Museum, Kentler International Drawing Space and internationally. Her work has been published in journals including Science, Printmaking Today, Contemporary Impressions and Art on Paper. The Moku Hanga app, Moku the Japanese word for wood while hanga is known as print, allows you to create an artistic wood-block print from any picture or snapshot no need for time consuming carving the artists from JixiPix do all the work for you With the power to fully customize your Moku Hanga, you can create a masterpiece. She has given lecture demonstrations at SUNY Purchase, the School of Visual Arts and Hunter College, and helped organize exhibitions of contemporary mokuhanga. Offering frequent classes at the Lower East Side Printshop in New York, Vollmer has also given workshops at Japan Society, the Center for Contemporary Printmaking, Pyramid Atlantic, Frogman’s Print and Paper, Cabrillo College, Women’s Studio Workshop and many other locations. ![]()
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